Pop art paintings on canvas, shaped by graffiti, brands and anonymity.
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I don’t spray walls. I have no murals, no street pieces, and I am not a graffiti writer. I paint in oil and acrylic on stretched canvas, in my studio in Poland. Call it street art canvas work if you need a label.
What I take from the street is a way of looking. Stencil-like black bars over eyes and mouths. Logos and brand names pressed into clothes and skin. Collage, glitch fragments, masks. It is pop art graffiti in attitude and paint in method. Some people file it under graffiti art. I file it under paintings.
I also take the anonymity. Like Banksy, I keep my face and my name out of it. I’m an anonymous artist, and I would rather you look at the canvas than at me. Inspired by everything, created by nobody.
Each title links to its page. Most originals are sold, and the lithographs are made to order.
Last One shows a figure in a Guy Fawkes mask and a black hoodie, holding an old TV. A recycling bin and lines of code sit on the screen.
Basquiat Dreams is a woman in a wide cowboy hat, crouching. Her jacket and boots are packed with pattern and brand marks.
Andy Warhol’s Dreams has a woman in a Gucci crop top. Her arms are covered in stickers like tattoo sleeves, and black bars cut across her face.
SCAM is an old man in a three-stripe tracksuit holding a money-counting machine. Market charts run across the gold behind him.
No Future puts a small boy in a waistcoat in a neon city at night, next to a yellow robot dog. The wall behind him spells out NO and FUTU.
Made in China is a woman in a red embroidered jacket with a phone in her hand. The green background looks like a pixel grid.
Disney Dreams has a purple-haired woman with her hands on her head. Mickey, Minnie and Goofy cover her arms and top.
LOUIS is the most abstract of the eight. Red, yellow and black shapes, a hooded figure, and fashion names printed across the forms.
Jean-Michel Basquiat began by writing SAMO tags on the walls of New York in the late 1970s. Then he moved to canvas and took the street with him. I did not start on walls, but I understand the move. Raw marks, words, scraps of the city, all brought indoors.
Banksy has stayed anonymous for years, and the work travels without a face attached. People search for banksy style art, and what I share with him is that habit: the picture comes first, the signature second.
Warhol painted soup cans and dollar bills, so brands were fair game long before me. My version is Gucci, Disney, Adidas and Louis, worn by people instead of stacked on shelves. Call it urban art with a dry sense of humour.
If you want street art for living room walls, pick one strong figure and let the dark background do the work. In an office or restaurant, go larger. For rooms like that, see art for restaurants and hotels.
Originals are oil and acrylic on stretched canvas, mostly 120×90 or 90×90 cm. Most are sold. I can paint a new one in any size on commission.
Lithographs are the street art prints most people order. Each is a print of an original, finished by hand with my acrylic brushstrokes (40–50%) and a textured gel that dries clear. It comes stretched in a black frame, with a serial number and certificate. Mostly 60×80 cm, €400, made to order.
I ship worldwide; shipping is paid by the buyer, and I confirm the cost before you pay. Message me on Instagram or write to prakorin@gmail.com.
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